THE MASTHEAD
Five people, one newspaper, zero growth targets. Portraits reproduced by the office copier's surviving sibling — the halftone is not a filter we chose, it is the machine's signature.
MARA VOSS
EDITOR-IN-CHIEF
Founded RAW SIGNAL in 2019 after being escorted out of three separate content-management conferences. Writes the editorials, breaks the CMS on purpose, insists the em dash is a structural material.
DEACON PRYCE
SENIOR CORRESPONDENT — MACHINES
Covers infrastructure, platforms, and the physical internet nobody photographs. Has touched an actual undersea cable. Keeps a shelf of bricked routers he calls 'the museum of terms of service.'
JUNO KETT
CULTURE EDITOR
Writes about design, scenes, and the resale value of taste. Former print-shop apprentice; can smell a bad grid through a locked door. Owns four photocopiers, none of which fully work.
SILAS ORR
CONTRIBUTING WRITER — SIGNALS
Telecom obsessive, licensed radio amateur, the desk's designated funny person — a title he contests weekly. Once got a memo published in a carrier's internal newsletter under a false mustache.
PETRA LINDQVIST
INVESTIGATIONS
Runs the long game: filings, dumps, sources who only answer payphones. Shoots every portrait in this paper on a copier she found in a skipped office. Allergic to the word 'content.'
THE COPIER
STAFF PHOTOGRAPHER
Every portrait on this page passed through its rollers. It shoots in one color, charges nothing, and has never once asked anyone to smile. Currently on a performance-improvement plan for the streak on page 34 of everything.
TIPS ACCEPTED. FLATTERY FILED.
Got a document, a story, or a cable map? The desk reads everything. Anonymity respected; obnoxiousness returned in kind.
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